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I know I'm holding a good book in my hand when I use the other to call my friends and read poems to them...Oh, and these poems make me do something else that the good ones always do: when I hung up after reading 'Bob Johnson' or 'The Maltese Falcon' or 'Balcony' to a friend, I sat down to write myself." David Kirby, National Book Award Finalist for The House on Boulevard St. When 'Blueberry (or "Another Summer-of-1975 Poem")'--one of the best narrative poems anywhere--urges you to 'Gather with me in the kitchen where the floorboards/sag & squeak...' accept the invitation. You will return to Fat Jersey Blues often, grateful to be reminded how rare and essential poets of John Repp's caliber are." Linda Lee Harper, author of Kiss, Kiss As American as this book is, Proust comes to mind when reading it, time slowed to the tempo of a wide river sweeping all that is mortal toward its inevitable end." Lynn Emanuel, author of Noose and Hook |
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These are stories firmly located in the American landscape of social class and struggle, stories of people operating on the margins, struggling to get by, struggling to define what 'getting by' means...We know these people, and through these stories, we know their bruised hearts." Jim Daniels, Thomas Stockham Baker Professor of English, Carnegie Mellon University |
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Click image to order or get a signed copy via PayPal.
Click image to order.
Click image to order. 
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Come near, these poems sing, and see the skin of the elephant of Margate: 'a mossy glade/or close enough' and grow the basil, drink the wine, bless the child and the lover, work and read the wild life long." Judith Vollmer, author of The Apollonia Poems The language throughout is tough, concrete, and personal, a long-meditated diction, expertly culled, gathered into verse, lifted into song." Jay Parini, author of The Art of Subtraction: New and Selected Poems John Repp's consciousness can seek out the most shabby and plastic of our 21st- century American details...What a comprehensive collection of poems, heartfelt and smart about our human confusions!" Albert Goldbarth, two-time winner of the National Book Critics' Circle Award in Poetry The raw stink, sex, and stun of these poems brace us for our past, which is to say, every day, from first to last." Kathy Fagan, author of Sycamore "Haunted by memory, Repp has the verbal accuracy and wit to find what is rare and necessary, details that allow him to be faithful to moments that 'fan the mean ember into flame,' whether remembering baseball or fishing, his mother's 'mad' garden, duets with his brother, whether moving trenchantly through a young man's romance with ideas political or amorous. His idiom is earthy, witty, and his own." Margaret Gibson, Connecticut Poet Laureate and author of Not Hearing the Wood Thrush |